I surprise myself every time an editor accepts one of my short
stories. When I create my YA adventure stories, I feel as though I have both
the inner and outer struggle for the protagonist. I have antagonists: one human;
a cousin, sibling, friend, or self and one nature; an avalanche, a thick
forest, a thundering river, or wild animals. I craft the adventures
meticulously, usually setting them in a national park.
One of my five children or my husband will find me talking
to myself—or worse, to the computer—and leave the room. Or they’ll discover me
sitting on a dining room chair with one of my son’s canoe paddles, trying to
understand how the mechanics of paddling works when negotiating rocks in a
river, how to explain it to the reader. The kids—mine—help me re-enact stage
directions with a stuffed [animal] snake or read what I have written to see if
they understand the actions explained. The family can sometimes refresh my
memory of what a trail was like when we were last on it during a camping trip
to the particular national park I’m using as a setting in my story.
I have a trusted writer friend who diligently tells me the
short story is awful. So I fix it, and then fix it again. I stare at it. And
“fix” it again. Then I sigh and submit it, and pray. You know how long writers
wait to hear back after submission.
I try to move on in life and with my memoir, which mostly
I’ve been staring at and crying about. I know what happens there. It’s truth. I
can’t change it. And you’d think that knowing what happens would make it easier
to write. Nope!
Memoir needs to be told as story. And the framing of this
memoir story paralyzes me. My writer friend doesn’t have time to read or help
me with this longer work. She says she’s not knowledgeable about memoir. I’ve
taken memoir writing courses and story writing courses, the last being Lisa Cron’s Story Genius method, which is incredible. I have some good scenes. I’ve
deepened the memoir story greatly. But each scene needs to be linked to the
next. There must be a cause and effect trajectory. It seems like knowing so
much about the story process makes me afraid to move forward in memoir because
I can’t create what is needed. I must craft what really happened—choosing the
events needed to do so—and create a story.
And until I can crawl ahead with my memoir, I live for an
acceptance letter for my short stories. Like many writers, I ache for readers
to enjoy my stories. But when the letter or e-mail comes, I hold my breath before
I open it.
I had two stories in the queue at Cricket Media this time.
I’ve had two stories before and Cricket Magazine, a literary magazine for 9 to
14 year olds, had accepted both stories. However this time, they only wanted
one, a YA adventure about cousins canoeing the Delaware. Instead of
rejoicing—okay, maybe I rejoiced a little bit—I couldn’t help but wonder why
they didn’t want the second one.
I received the standard rejection letter: “it is not quite
right for our magazine.” Yet I feel my stories are of the same quality. The
only difference with this particular story was that I name dropped Susan Boyle,
trying to connect Susan’s difficulties in life to my protagonist’s. Maybe an
international children’s magazine such as Cricket doesn’t allow for
name-dropping. Has anyone had experience with comparing a character to a known
person in an attempt to imply that character has the same attributes? Is there
a better method to explain how characters are in a few words without well-known
comparisons?
The last story I sent to Cricket, they didn’t want either.
Same standard rejection letter. I understand they don’t have time to tell you
why. But the guessing on the writer’s part as to why it was rejected when other
stories weren’t is grueling. In that story, I had one character receive a glancing
bite from a rattlesnake. No one dies. It is a dry bite, which is explained in
the story. Because it’s YA, maybe I can’t have the characters literally
attacked by the wild animal, only frightened by them. Does anyone have any
comment about that? I never have anyone die in my YA adventure stories. I know
the editors wouldn’t accept that.
Thanks so much for stopping by Adventures in Writing and
offering a comment. Please follow my blog if you haven’t already. It’s greatly
appreciated.
it's really tough to make that connection with your story and an editor (or agent)
ReplyDeletebut if you did it before, that's proof you can do it again!
keep at it - and i love your process!
thanks for stopping by (and reading 2 Princesses!) and the song at my blog was Knowing Me Knowing You by ABBA =)
It's extremely tough to understand why editors take some stories and not others. Thanks so much for your kind words of encouragement. They are appreciated more than you realize.
DeleteI thoroughly enjoyed reading 2 Princesses. Nuts, ABBA! I only know the Mamma Mia songs of ABBA. They're a great group.
Thanks so much, Tara, for stopping by Adventures in Writing and leaving a note. I really appreciate it.
It sounds like you've had a lot of successes, which is amazing. That's a tough call, where to find critique partners for memoirs. You should scour #PitMad (is it tomorrow?) for others writing memoirs, and reach out to the ones that interest you and ask if they are interested in you trying one another out as critique partners. Try exchanging 500 words and the query to start, and see if you meld. Maybe?
ReplyDeleteThank you so much for this advice, Raimey! I didn't realize you could just send 500 words to see if "you meld." I was always afraid of being stuck.
DeleteIt's always a pleasure seeing you here at Adventures in Writing. All best to you!
I doubt that anything as small as mentioning Susan Boyle would doom a story--that can always be taken out in editing if the story otherwise works.
ReplyDeleteI don't think we can figure out anything from form rejections. There have been stories for which I've gotten form rejections that other editors have loved. For all you know, they may have just accepted a similar story last week--or have just seen five stories on the same topic--or etc., etc.
I thought I could take Boyle out of the story too, if they didn't want a real person referenced. Why can’t they just tell me, if that’s all it is? I’ve worked with them before.
DeleteThis is sound advice, Jennifer. Writers can't read minds. We need to take chances with our stories; i.e. drop names, allow non-serious animal attacks, and just keep submitting. But I can't help thinking I may need to remove the name and the snake bite before submitting elsewhere. I also need to stop placing all my hopes and dreams in finding someone who loves everything I write.
Thanks for setting me straight with this advice, Jennifer. It’s always a pleasure seeing you here at Adventures in Writing. All Best to you!
Congratulations on the one story. I wouldn't think they would object to name dropping with the other one though.
ReplyDeleteStaging a scene with a stuffed snake. I'd almost pay money to see that.
OK, so the kids wanted to bring their friends in to see that one with the snake. I wouldn't allow it, though, and told them to stop laughing. I had to make sure I had the actions and angles correct, right?
DeleteThank you for your kind words, Alex. They are always appreciated here at Adventures in Writing. I still didn't think that mentioning Boyle's name would warrant a rejection. Who knows? All best to you, sir!
Good luck with your stories in queue for Cricket Media!
ReplyDeleteI loved what you said in the beginning of this post. I've enacted things, have talked to myself, and have done some other things that have embarrassed me when caught. lol
I'm with you there, Chrys. Some re-enactments need to wait until the home is empty for sure. Oh and I think all writers talk to themselves. At least we should. How can we know what we are thinking if we don't?
DeleteIt’s always a pleasure seeing you here at Adventures in Writing. All Best to you!
Sounds like you have a lot of fun when you are writing. Fun getting the family involved. I don't have that but it sounds fun. Juneta @ Writer's Gambit
ReplyDeleteThanks, Juneta. Yes, sometimes story creation is a family affair at the Lees household. Thanks so much for your comment here at Adventures in Writing. All the best to you, my dear!
DeleteIt is so nice to read that you are staying focused with your writing, creating new YA stories all the time. The memoir process will be of a much longer nature, but I'm sure you are making good progress and researching plus learning more about the genre as you go. It all helps. Your processes are determined and success is present, one story at a time! Congratulations on anything that you have gotten accepted! The memoir will get completed one day.
ReplyDeleteLiesbet, I can't thank you enough for your encouraging words here at Adventures in Writing. Writers need to hear that success moves one story at a time, and yes, sometimes you feel like you are only crawling forward. Truly, I needed to hear this. Thanks again for your comment on Adventures in Writing. All best to you!
DeleteHi Victoria - well done on getting a story through. Perhaps mentioning Susan Boyle brings ideas that the reader can't relate to ... and perhaps they think they know her and thus that character for them is too much. I know it's right for you ...
ReplyDeleteMemoir - I would write by the chapter or just put some of it together ... but why write to publish - yet ... perhaps sometime later. Get it down and then adjust ... have you thought about writing it backwards ...?
Good luck whichever way you go - cheers Hilary
Now that could be true, Hilary. I tried to compare my protagonist to Susan's difficulties in life. Maybe that's what's wrong.
ReplyDeleteYou have great ideas for memoir. I do have a rough draft. The beginning. The middle. And the end. I'm working on the "because this happens, the next thing happens." Which of course is the most difficult part.
It's always a pleasure seeing you here at Adventures in Writing, Hilary. Enjoy your day!
There's no way we can guess why a place wants one story but not another. It may be that the story didn't connect with the editors, or they already had another story that was similar. It could just be the phase of the moon, for all we know.
ReplyDeleteYou are so right, Lynda. But it's still frustrating. I want to know if it's just that the story didn't connect or they bought a story like it recently or the story is not good enough. Grr...
DeleteIt's always a pleasure seeing you here at Adventures in Writing. Enjoy your week!
It looks like you enjoy what you are writing. Great post, Victoria!
ReplyDeleteAh, Nas! I truly appreciate your kind words. You keep me posting on Adventures in Writing. All the best to you, my dear.
DeleteWe all need good, honest friends like you have to give us the feedback we need on our writing.
ReplyDeleteAnd as far as talking to the computer, he's my best conversation partner. He listens. He's patient. He has pretty pictures to entertain me when I'm stuck in a story.
For sure, Lee, writers need other trusted writers to critique their stories.
ReplyDeleteGood for you! My computer just blinks at me, reminding me that there is nothing of value on the page. Although, you are right. My computer IS patient. Of course, I don't think he cares whether my writing is good or bad. But he does let me shout at him and bang the keys once in a while.
Thanks for your comment here on Adventures in Writing. Enjoy your week!
How sweet that your kids help out. Mine will chip in too- being in a house of guys, they are quick to tell me when my male mc's are sounding too much like chicks!
ReplyDeleteGood for you, Elizabeth, that your men help keep your male mc's manly-sounding. My kids like to sigh and tell me, "That's not how you paddle a canoe, Mom. Don't you remember?"
ReplyDeleteThe answer is, of course, no. I don't remember. Particularly what I don't remember is how to explain what I'm doing to the reader in the action of the story.
I truly appreciate your comment here at Adventures in Writing, Elizabeth. All the best to you!
I wouldn't mind looking over your memoir. I actually just did a critique of a friend's memoir a few months back. And I told her that same exact thing. The memoir needs to be presented in a story. Maybe I can help :)
ReplyDeleteAs for YA have you read YA books lately? They can be very violent. Think Hunger games. Extremely violent and yet 6th and 5th graders read these stories. And that was what, 10 years ago. There are hundreds of dystopian stories out there. I'm a fan so I've read a few. Some are violent some are not, some are more focused on diseases (still scary)
Even Harry Potter, marketed to younger kids in the early books, grows violent over time. I have heard authors who write in YA complain that publishers/edidtors are requesting more sex appeal. I'm not sure why your story was rejected, but that's probably not the reason, unless you submitted it to a company that specifically ought out clean non-violent etc books. But a snake bite is minor compared to what YA book content is now a days.
Otherwise, keep on writing! You're doing fine :)
Sara Beth
Hello and welcome to Adventures in Writing, Sara Beth! First, thank you for your offer to read my memoir. Once I get it in a better condition or at least a few consecutive chapters, I'll let you know. I'm in the redrafting process since my Story Genius course.
ReplyDeleteYes, I do read YA. The protagonists are usually 14 year-olds in my adventure stories. Cricket Magazine caters to the younger teens. As for the violence in YA in general, yes, I see it. But that's not what I'm interested in. I write contemporary and not dystopian stories. I guess we writers can never know why editors prefer one story over another. Our fellow writers had lots of ideas why in the comments above.
Thanks so much for visiting Adventures in Writing, Sara Beth. I truly appreciate your words of encouragement. And YES, I will include you in the reading of my college memoir once I get to a point of critique. I truly appreciate your offer. All best to you!
I want to write more short stories. I am panning on buying a few anthologies so I can start studying them more.
ReplyDeleteHello and welcome to Adventures in Writing, Brandon! Reading short stories is a great way to study the form. Notice the economy of description and backstory. Notice any pithy internal thought and dialogue. There is so much you can understand by dissecting the form. All the luck with it, Brandon. And thanks for following Adventures in Writing. It's greatly appreciated.
ReplyDeleteI would also surprise myself if an editor accepted one of my stories, but I first have to surprise myself by actually submitting a story somewhere.
ReplyDeleteI admire your persistence and diligence. You are doing what more of us should be doing and I think it sounds like you are doing a good job of it.
Arlee Bird
Tossing It Out
Thank you so much for your kind words, Arlee! I truly appreciate them. I'm trying my best, but still, sometimes it seems I should do more. The important thing, I realize, is not to compare myself with others. This is true no matter what you are doing. However, it's extremely impossible for me to do.
ReplyDeleteAll the best to you, sir. Thanks again for your vote of confidence here at Adventures in writing. I certainly need it!
This is a really good idea that you have going on. manufacturing
ReplyDeleteโคนัน
I really like your site and content so much,thanks for sharing the information keep updating, looking forward for more posts.
ReplyDeleteหนังออนไลน์